Del amor romántico al amor político en la narrativa española post15M: Estudio comparativo de Feliz final de Isaac Rosa, Yo misma, supongo de Natalia Carrero y Un amor de Sara Mesa

Details

Supervisors

Fabry, Geneviève ; Sábado Novau, Marta

Faculty

Faculté de philosophie, arts et lettres

Degree label

Master [120] en langues et lettres françaises et romanes, orientation générale, à finalité approfondie

Abstract

enThis thesis examines how Yo misma, supongo (2016) by Natalia Carrero, Feliz final by Isaac Rosa (2018), and Un amor (2020) by Sara Mesa offer new representations of love in post-15-M Movement contemporary Spanish literature. It argues that heterosexual love is inherently political, as it is shaped by capitalist and patriarchal logics. The analysis is structured around two complementary axes—language and material conditions—which correspond to the two main parts of this study. The first part approaches literature as a political practice, examining how these texts renew narratives of love both formally and discursively. It further explores the language of romantic relationships through the discourse of romantic love, a vocabulary colonized by capitalist culture, and considers silence as a patriarchal mechanism. The second part focuses on precariousness, showing that it is not merely a backdrop but a structuring element of romantic experience. The concept of “interprecariousness” is mobilized to emphasize the plurality of its forms and their relational effects. Finally, the body is examined as a political space through issues such as fatigue, beauty norms, and sexuality. Ultimately, this thesis highlights a shift from the myth of romantic love toward a politicized understanding of love.